1 juillet 2017 - David Larkin

Mr. Bungle Thinks it Through: Finding Coherence in California (1999)

12.A.1

Séance - Sounds of Popular Music (II)

9:00 / 9:30

Salle 3206

1 juillet 2017 - Job IJzerman

Harmony, Counterpoint, Partimento: A New Method Inspired by Old Masters

12.B.1

Séance - Teaching and Pedagogy (II)

9:00 / 9:30

Salle 3203

1 juillet 2017 - John Koslovsky

Tristan and the Act of Music Analysis: Conflicts, Limits, Potentialities

12.C.1

Séance - Reconsidering Later Romanticism

9:00 / 9:30

Amphithéâtre 5

1 juillet 2017 - Alice Tacaille & François Picard

Ten Years of Melodic Analysis in Ethnomusicology : Methods & Results

12.D.1

Séance - Analytical Issues in Ethnomusicology

9:00 / 9:30

Salle 3208

1 juillet 2017 - Jon-Tomas Godin

The Piano Sonatas of Schumann and Brahms: Approaching Analysis Through Aesthetics

12.E.1

Séance - Schumann, Brahms, and Elgar

9:00 / 9:30

Salle 3201

1 juillet 2017 - Evgeny Vorobyov

Tonal Space in Terms of Practical and Theoretical Approaches in Westernised Choral Idiom in Russia from 1670s to mid-18th Century

12.F.1

Séance - Counterpoint and Composition in Europe during the 17th and 18th Centuries

9:00 / 9:30

Salle 3204

1 juillet 2017 - Stefan Eckert

The Simpfonie according to Riepel

12.H.1

Séance - Formenlehre, Old and New

9:00 / 9:30

Amphithéâtre 4

1 juillet 2017 - Carissa Reddick

Double Function Sonata Forms in Franck’s Late Chamber Music

12.I.1

Séance - Chopin, Mendelssohn, and Franck

9:00 / 9:30

Amphithéâtre 6

1 juillet 2017 - Chelsey Hamm

Charles Ives's Associations with Kaiser Wilhelm II, Compositional Effects, and Present-day Listening Strategies

12.J.1

Séance - Modern American Composers

9:00 / 9:30

Salle 3209

29 juin 2017 - Franziska Brunner

“Tierisch Unmittelbarer Ausdruck”: Analyzing Timbre in Schoenberg’s Sprechmelodie

5.A.1

Séance - The Second Viennese School (II): Pairing Schoenberg and Webern

9:00 / 9:30

Amphithéâtre 5