1 July 2017 - Evgeny Vorobyov

Tonal Space in Terms of Practical and Theoretical Approaches in Westernised Choral Idiom in Russia from 1670s to mid-18th Century

12.F.1

Session - Counterpoint and Composition in Europe during the 17th and 18th Centuries

9:00 / 9:30

Raum 3204

1 July 2017 - Stefan Garthoff

Ein Mönch, zwei kurze Regeln und drei Stimmen zum Fundament Untersuchungen zur Modellhaftigkeit von Cantionalsätzen und den daraus resultierenden Implikationen für deren Klanglichkeit

12.F.2

Session - Counterpoint and Composition in Europe during the 17th and 18th Centuries

9:30 / 10:00

Raum 3204

1 July 2017 - Florian Vogt

Zacconi, Banchieri and the Counterpoint Species: Reconstructing the Klanglichkeit of the contrapunto in compagnia

12.F.3

Session - Counterpoint and Composition in Europe during the 17th and 18th Centuries

10:00 / 10:30

Raum 3204

1 July 2017 - Natalia Plotnikova

On the Technique of Canon in Russian Baroque Music (on the Example of Polychoral Works by Vasiliy Titov)

12.F.4

Session - Counterpoint and Composition in Europe during the 17th and 18th Centuries

11:00 / 11:30

Raum 3204