1 July 2017 - Evgeny Vorobyov Tonal Space in Terms of Practical and Theoretical Approaches in Westernised Choral Idiom in Russia from 1670s to mid-18th Century 12.F.1 Session - Counterpoint and Composition in Europe during the 17th and 18th Centuries 9:00 / 9:30 Raum 3204
1 July 2017 - Stefan Garthoff Ein Mönch, zwei kurze Regeln und drei Stimmen zum Fundament Untersuchungen zur Modellhaftigkeit von Cantionalsätzen und den daraus resultierenden Implikationen für deren Klanglichkeit 12.F.2 Session - Counterpoint and Composition in Europe during the 17th and 18th Centuries 9:30 / 10:00 Raum 3204
1 July 2017 - Florian Vogt Zacconi, Banchieri and the Counterpoint Species: Reconstructing the Klanglichkeit of the contrapunto in compagnia 12.F.3 Session - Counterpoint and Composition in Europe during the 17th and 18th Centuries 10:00 / 10:30 Raum 3204
1 July 2017 - Natalia Plotnikova On the Technique of Canon in Russian Baroque Music (on the Example of Polychoral Works by Vasiliy Titov) 12.F.4 Session - Counterpoint and Composition in Europe during the 17th and 18th Centuries 11:00 / 11:30 Raum 3204