29 June 2017 - Mathilde Zagala

Le « trois sur quatre » dans la musique écrite en circulation à la Nouvelle-Orléans d’avant le jazz enregistré, 1835-1917. Application de trois méthodes d’analyse du rythme

5.G.1

Sessione - Stylistic Features of Jazz

9:00 / 9:30

Sala 3208

29 June 2017 - Paulo Perfeito

Twentieth Century Compositional Techniques Applied to Jazz: Pitch-Class Sets in Jazz Composition and Improvisation

5.G.2

Sessione - Stylistic Features of Jazz

9:30 / 10:00

Sala 3208

29 June 2017 - Patrick Schenkius

Wayne Shorter and the 12-Bar Blues Form

5.G.3

Sessione - Stylistic Features of Jazz

10:00 / 10:30

Sala 3208

29 June 2017 - Barbara Bleij

Wayne Meets World: Compositional Methods in Three Wayne Shorter Pieces

5.G.4

Sessione - Stylistic Features of Jazz

11:00 / 11:30

Sala 3208

29 June 2017 - Walther Stuhlmacher

The Sighing Motif (Seufzermotiv) and Related Stylistic Features in the Jazz Compositions of Brad Mehldau

5.G.5

Sessione - Stylistic Features of Jazz

11:30 / 12:00

Sala 3208