19 avril 2017

Séances précomposées


Jeudi 29 juin 2017

Séances de l’après-midi

A : Modulation as Perceived by the Listener

B : Analyzing Models and Creativity in the Long Eighteenth Century

C : Interpreting and Listening to the Music of Debussy

D : Aspects of Music Theory & Analysis Practices in the Mediterranean Region: Italy, Cyprus, and Israel

E : Modal and Tonal Organization in Polyphonic Compositions from the Late Middle Ages to the Early Baroque

F : Quel futur pour la Formenlehre? Challenging Recapitulatory Paradigms

G : Spectralism on the Margins: Spectral Ideas and Intercultural Influence

H : Epistemologies of Music Theory and Analysis: Sound and Timbre between Structure and Epistemic Construct

Vendredi 30 juin 2017

Séances de l’après-midi

A : Itinerari d’analisi per la musica italiana d’inizio Seicento nel 450° anniversario della nascita di Claudio Monteverdi

B : New Approaches for Analyzing the Music of Olivier Messiaen

C : Analyser la performance aujourd’hui : enjeux et perspectives

D : Analyzing Mozart’s Operas: External Stakes, Intrinsic Challenges

E : Formal, Theoretical, and Computational Models in Popular Music Analysis

F : Liszt after Liszt – Liszt après Liszt

G : Ambiguity, Illusion & Timelessness in Late and Post-Tonal Harmony

H : Ways of Organizing the Inventory: In Search of a Systematic Ordering of Voice-leading Schemata